janine antoni gnaw

janine antoni gnaw2022/04/25

They observe the way art is viewed and understood. by Marianne Shaneen, Roxane Gay Calculating Percentages Whats Two Percent of Twelve? Janines artistic activity has become widely regarded as a provocation, an expression of her desire to express her creative spirit. I was thinking about Duchamps Fountain, of course, and so I first made it in porcelain. I approached a few churches with the idea and you can imagine the answer I got. Transforming everyday activ Im interested in how stories get passed down. In her breakthrough piece Gnaw (1992), she used her mouth to chisel away at two . The retelling of the woman weaving inSlumberand how the story evolves and changes over time. Something happens physically in the work, but also psychologically that I believe in and count on. Im much more interested in the viewer empathizing with my process. (She was also referencing Yves Kleins use of his models as paintbrushes with the transformative difference that in her enactment she was both model and master). The association is apt; as a woman artist Antoni was mimicking the making of an action painting and claiming a piece of the territory that had been occupied primarily by male artists. What is the impetus behind it? These are displayed in cabinets near the sculptures. Also, she was making my work. The wind blew my hair into a beard and that opened up a whole new set of readings. I really believe that you learn most from your failures; you have to allow yourself to fail. its really a pretty complex relationship. You have friends who are close enough to tell you they hate it, but you can still be friends. All photos courtesy of Luhring Augustine. Janine Antoni explores the boundaries between object making and performance. Gnaw. "[12], Antoni has cited Louise Bourgeois as a strong artistic influence, referring to Bourgeois as her 'art mother.'[13]. In Gnaw, Antoni forces these two lineages of art, one largely feminine The griffin is itself a hybrid of a lion and a bird. What are the benefits of giving supplements to your pets? Theres this core meaning which is in the object, and the peripheral information that informs the object. JAYou know, we talked about empathy. by Janine Antoni Installation art, performance art, sculpture. Everywhere else the dance is either reversed, or blocked. But think about babies! I was struck by the spirit of reciprocity in her gesture. My hope is to have that happen psychologically as well. BOMB's Oral History Project is dedicated to collecting, documenting, and preserving the stories of distinguished visual artists of the African Diaspora. Her large-scale, sculptural installations combine a wide range of materials and techniques to create a unique installation. JAI always think I make art so that I can discuss with strangers things that I would like to discuss but couldnt otherwise. Another article talked about Stendahls Syndromehow this teenager was so overcome by beauty she couldnt help herself. She arrived on the scene withGnaw, two 600 pound minimal cubes (one chocolate, one lard) that she aggressively bit into eroded architectural fragments, using the mouthfuls to generate other objects (45 heart-shaped chocolate packages, and 400 pigmented lipsticks). 600600Janine . Until Antoni came along and started taking chunks out of those perfect cubes with her teeth. . It is like choosing the kitchen of Beatrice Thomas for restoration. I realize its charged. BOMBs foundersNew York City artists and writersdecided to publish dialogues that reflected the way practitioners spoke about their work among themselves. We use cookies to personalize content and ads, and to analyze our traffic and improve our service. Ive thought about how these pieces become props for storytelling. Making something is like a fight. Antoni also sculpted two dozen heart-shaped chocolate candy boxes, and three hundred lipsticks into her work. In 1986, Antoni earned a BA from Sarah Lawrence College in New York. [10] In this process Antoni explored the body, as well as themes of power, femininity, and the style of abstract expressionism. Also, to work in a variety of contexts so that I reach different audiences. In "Swoon," her latest installation at Capp Street Project, visitors are. You told me once that you feel like you have to hit a home run every time. JARight, they become our works through projection; those works came to us through an oral tradition told to us by teachers and other artists. JAFor me, that removal is a generous act, in the sense that it creates a place for the viewer. These things make me tremble. Janine Antonis gnawed reveals how she reconciled the notion of sculptural object and performance. I have certain information, the sound of breathing and the question of what I am actually listening to. . SHIt has a nice ring to it. Janine Antoni (b. Janine Antoni emerged in the early 1990s as an artist capable of reconciling performance with the object, and empowered feminist thinking with post-'80s artworld . She spent the first weeks sleeping in the gallery space, a room with no decor, filled only by a wire-frame bed and a desk with a computer and wires. Provenance Luhring Augustine, New York Acquired from the above by the present owner Literature After shaping the cubes, Antoni used the removed material to sculpt two dozen heart shaped chocolate candy boxes . The same way one thinks of your face in the bathtub being washed away or the residue of yourself on your tongue. The artist is subverting conventional conceptions of beauty and eating disorders by biting at these materials. Antoni's work focuses on process and the transitions between the making and finished product, often portraying feminist ideals. Gnaw (1992) - Janine Antoni Heart shaped packages and Lipsticks "I feel it's not chocolate without fat," she says. But in Zurich, the people were incredibly shy. Janine Antoni, Gnaw: Lipstick Display: Phenylethylamine (1992). Janine Antoni's gnaw. I do these extreme acts because I feel that viewers can relate to them through their bodies. All photos courtesy of Luhring Augustine. Janine Antoni ("Gnaw") Bring supplies for plaster on Wed 8/31: small containers for pouring plaster forms, i.e., conical, rectangular, circular, cube, etc., small jar of petroleum jelly, junky clothing, ----- Prepare for critique: modify and improve your Quarterly in print & every day online. Photo by Ellen Labenski. BOMB Magazine has been publishing conversations between artists of all disciplines since 1981. That is the big difference, not that I am in it or not, but that there are different ways of communicating. And two, your comment that if the object doesnt change me, then its not finished.. Phenethylamine is a stimulant found in chocolate and is also produced in the body when we fall in love. Its like a mirage. It is strange that in the end I got access to the Chrysler Building because its bird is not so different from my bird, although I made Conduit long before I knew where I was going to take the photograph. For example, in 1992, she chewed and spit out 600-pound cubes of chocolate and lard. Antoni's work blurs the distinction between performance art and sculpture. Give me my belly, she says. While she slept, she recorded her eye movements using an electroencephalogram, and weaves recreations of the recorded data made of her nightgown into the blanket. Ultimately, the Shakers are incredibly radical people, and their philosophy is quite challenging: the notion of celibacy and community. Can you imagine some young art student in the future who will have never actually seen your work but will look at photos and be able to use them in some way? Lick and Lather also took its lead from art history. Fortunately, we had the image by then. I start from that place. Janine Antoni, Gnaw, 1992 What better time than Easter Sunday to be thinking about chocolate. She was born in Freeport, Bahamas, and later moved to Florida in 1977 to attend boarding school. You do work and you want it to be very seductive, you want people to be attracted to it. If I look at an artists body of work that I really love, the works that I spend most time with are those rare works that didnt get as much attention, the works that dont have the finesse to sweep you away. SHObviously the art world of the 80s, and other things that have gone on in the culture, have made us very cynical to that belief, and yet I think we all believe in how art functions for us personally. What is the Measurement of the Circle Os Non-Dimensional Chord, MCD? JUDITH RICHARDS: And where did your parents meet? JACertainly its not my goal to push the audience away or be aggressive. I call it my bedside manner. Sculpture: 2 x 7-1/4 x 2-1/4. When you know where someone is coming from, you put yourself in their position, even if it is a really difficult thing to do, it helps you open up and gives you access. For the piece Ive just completed, I placed two 600-pound boulders on top of each other. Janine Antoni,Slumber, 1994, performance: loom, yarn, bed, nightgown, EEG machine and artist's REM readings. Sassy art historian with a mission to put the story into art history. Im obsessed with the viewer. Religion Which are aspects of form? Early works, like Gnaw, 1992, and Lick and Lather, 1993, were inspired sculptures that were at once objects and processes that engaged important trajectories in contemporary art. [32][6][33], Antoni is married to artist, Paul Ramirez Jonas and together they have a daughter. Of course, artists want to hit a specific chord in people, but the experience ofSlumbermade me much more open-minded and not so obsessed with pinning the meaning down. Instead, a new choreography for the dance of life. The installation was at once historical and contemporary; it was embodied in the tradition of classical self-portraiture and was body art for the late twentieth century. Its beautiful in its completeness. . The Kitchen of Beatrice Thomas would make a great kids book. When she wakes up, she uses the machines printout as a pattern for weaving, seated at an elaborate loom of her own design. Each impact damaged the surface of the ball, thus telling its history. SHA barrage of questions: What are you reading? The video of this episode can be viewedhere. Sign up to be the first to know about my online talks, gallery visits and events. [9] This particular work was seen as a tableau vivant because of its spectacle aspect: The aspirational focus of this tableau vivant, while situating the artist as an object on view, simulataneously [sic] insists on an aesthetics of connections: between the artist and beholders, between the artists [sic] and the art institutions, and between the artist's conscious and unconscious processes.[9]. Janine Antoni is a contemporary American artist known for her performances and sculptural installations. Antoni's works focus mostly on process and the transitions between the making and finished product. Antoni is aware that she is inhabiting an in-between space, one that sits, as she described it, somewhere between being suspended and ascending and either entrapped or inside the structure of support, which to me is motherhood.. What is part of the iconography of Amida Buddha? Craft's default cookies do not collect IP addresses. What is Unique About Janine Antoni's Gnaw? SHBecause when I think of performance and installation art from the past 20, 30 years, I think of work that is much more hostile towards the audienceBruce Nauman, Vito Acconcithe desire to push the audience to an extreme. Conduit, 2009, copper sculpture with urine verdigris patina, framed digital c-print. It didnt work! It wasnt becoming flat. Rene Green, Import/Export Funk Office (1992-93). Imagining is much more provocative and makes each viewers story slightly different. SHHow do you deal with people looking at you, the fear that they have expectations about the work? Featuring interviews withJanine Antoni,Yayoi Kusama,Jenny Diski,Michael Cunningham,Simon Ortiz,Petuuche Gilbert,Simon Winchester,Gary Sinise,Thomas Vinterberg,andMarc Ribot. I cant claim that piece. Her performance was at the Anthony d'Offay Gallery, London, in 1993. Janine Antoni (born January 19, 1964) is a Bahamian-born American artist, who creates contemporary work in performance art, sculpture, and photography. Antoni's Gnaw (1992), is an example of the artist using her body as a tool for sculpture. I think the serendipities have somehow always been there, but its only now that I can be flexible enough, and take them seriously enough, to have them guide me. The materials used in Janine Antonis gnaw are quite peculiar. [20] Antoni made a statement about her work saying "Lard is a stand-in for the female body, a feminine material, since females typically have a higher fat content than males, making the work somewhat cannibalistic". She completed the piece by melting down the gnawed chocolate into 40 heart-shaped candy packages, and mixed the lard with pigment and beeswax to make 150 lipstick containers, which were then exhibited in a display case. Its a crazy thingto remove in an effort to connectbut Im interested in that fine line between how much information I give and how much information I withhold, and my whole body of work plays with that. I wasnt going to have my face in it. You cant get it. JAI learn a lot from the guards. How does this affect your freedom? What does it do to your sense of failure or risk? It depends on what you mean by intentional. Patina. Janine Antoni. Whether itsTender Buttons, the brooches of your nipples cast in gold, or the image one constructs of you bathing or licking self-portrait busts, there is this sense that one is with you in the moment you are forming these objects, but of course, ones not. Antoni, who turned 29 that year, threw her whole self into the process, using her lips, lashes, and hair in performative, arduous, and absurdist send-ups of female obsessions and macho art. Her first solo exhibition was a gnaw toy made of two huge cubes of chocolate and lard. I want to have the biggest breadth of possibilities, whatever form is appropriate for what I have to say. Gnaw was a multi-tasker; it touched on consumer culture, the cult of beauty and art history, all neatly packaged in a single installation. Janine Antoni, Lipstick/Phenethylamine Display, 1992, detail. Around the same time, my brother used to tell me about the joys of peeing from high places. In Tear (2008), Antoni created a wrecking ball in lead and then used it to demolish a building synchronized with the blinking of her eyelid. JAI just believe in the power of art, what it can do for our lives. Janine Antoni - Janine Antoni, Dan Cameron - Google Books Sign in Try the new Google Books Books Add to my library Write review Try the new Google Books Check out the new look and enjoy easier. WithSwoonI deal with narrative, but I fragment it. Personally, I want to broaden my audience, and I choose seduction over hostility. Her work blurs the line between sculpture and performance art. By imagining me, the viewers experience turns out to be about their own wish fulfillment. [22] In this work, Antoni addresses the transformation in cultural acceptance of feminine desire and sexuality. . I chose not to leave them because for me, the interest lay in the licking and the washing as a gentle, loving act, and how that butted up against the fact that I was defacing myself. 1964) is a performance artist, sculptor, and photographer who often explores the transitions between making and finished producta focus that results in sculptural installations that appear both static and revelatory of the artist's creative process. SHWere about the same age and I have the feeling that I was at AcconcisSeed Bed! Her tools and her processes are uncommon, from tightrope walking to steam shovels, from using her teeth as a carving tool to re-casting silver in the form of the inside of her mouth. about friendship and love? JAI like this idea of the thing that is missing and I agree that it is consistent in all the work. When you use the word relic, that is an appropriate term, because these works allow one to project histories onto them and they set the terms of that projection. What makes Janine Antoni's Gnaw unique compared to other sculptural pieces? I want to make a great work every time as much for myself as anyone else, but Im much less worried about greatness now. They have also given me a lot of material to work with. To be more detailed she created a store display with cases 45 heart-shaped packages for smaller chocolate from chewed chocolate removed from the chocolate cube and 400 lipstick with red pigment to represent her contemporary . Usually the material resists me all the way. In the end, theyre the only people who really tell you the truth. In the end room, all is revealed, but its backwards and Im aware that it is a construction. I also became half man and half woman. Know the differences between: Realistic (Naturalistic . I wanted a sculpture where I had two objects that resisted and gave into each other at an equal rate. Her large-scale, sculptural installations combine a wide range of materials and techniques to create a unique installation. And so on one side you have a ball and socket where the rocks grip each other and then a beautiful arch where you can see straight through. When I did it in the United States, peoples connection was with science, and they wanted to talk about the polysomnograph. By setting up situations that force her lithe body into contact with malleable materials and spaces, she establishes tongue, eyelashes, and hair as evocative replacements for chisels, pencils, and brushes. Theres a great familiarity and at the same time a great distance. Antoni refers to it as "a mouth-made ready-made." Her logic in this early work was simple: if her mouth was the hammer and chisel in Gnaw, then in Loving Care her hair could be a paintbrush. Antoni locates Gnaw in the gap between two movements stretching back to the 1960s, femi-nist performance art and minimalism, which, though contemporary, were opposed in nearly every way. And they talked about the history of work being destroyed, like the Pieta. Gone are the movements and markings of her own body. Many of the pieces feel prescribed and very set. Ive secretly felt that all my art at some level came from that place. All photos courtesy of Luhring Augustine. Gnaw. Border Crossings: You tend to ask yourself questions when you work, like what is the material of dreams? SHWhat have you learned from repeatedly showing and performing some of these pieces? If I can stay open and have the courage not to hang on to my original idea, the material starts to speak back and tell me what it wants to be. It exists in this vapor and everything else is information at the edges of it. Marble Installed at the Sandra Gering Gallery in 1992, Janine Antoni's Gnaw was the artist's first solo exhibition. The two cubes were displayed in an evocative room filled with mirrored shelves. Something similar happens with the piece in Harlem,Beatrice Thomas, where I keep pushing past a threshold, and a threshold, and a threshold until one gets to the edge of the building . It is an effort to connect. Janine Antoni is a Bahamian contemporary artist who works with different materials, such as soap, lard, and chocolate. The duration of the act is very logical. Viewers are used to having this private experience with the work and it is intimidating to have the artist present. When I was a little girl, my brother was reading a book about pirates and it mentioned Anne Bonnet. Antoni's work is in various public museum collections, including the San Francisco Museum of Modern Art (SFMoMA),[14] National Gallery of Art,[15] the Solomon R. Guggenheim Museum,[16] The Broad,[17] the Metropolitan Museum of Art,[18] among others. Photographed by Prudence Cumming Associates at Anthony dOffay Gallery, London, 1993. I am interested in extreme acts that pull you in, as unconventional as they may be. This studio-sculpture, which has been performed/shown several times around the world, is classic Antoni; a charged relay from mind to body in private and public. I dont know whether to take it as a compliment or a criticism. of Chocolate The heart and. The installation provoked a conversation between performance and object while exploring the idea of nothingness in art. Those serendipities often happen to you. [4] She graduated from Sarah Lawrence College in 1986 with a B.A.degree. [20], In Loving Care (1993), Antoni used her hair as a paintbrush and Loving Care hair dye as her paint. Art 206 Revised Su20 Midterm Exam Review Wagoner Midterm Exam: (100 Points Total) Only one attempt allowed & timed for 2 hours 1 Labeling Question (10 Points) 10 Multiple Choice Questions (50 Points) 2 Matching Questions (18 Points) 1 Essay Question (22 Points) For each chapter, review all vocabulary, & review quiz or test questions. Gnaw, however, is as much a work of art about art his-tory as it is about desire. The chocolate can also be connected to stereotypical ideas of womanhood in its common consumption by women. She uses her own body as the primary tool in her creations, from drawing with her body to weaving blankets using her brainwaves. My parents met in Trinidad. The blanket covers her as she sleeps, dreaming the next days template. and a red lipstick that might aid in desirability, but there is a distinctly undesirable element to the way that they have been produced, unless perhaps you happen to be Antonis lover. It becomes this back-and-forth relationship. What could the machine tell you about dreams and sleep? In it, she sculpted 600-pound cubes of lard and chocolate using her mouth as a tool. I wouldnt be able to do anything that I am doing without some key people in my life. . I could have tried to force it, but what happened was so much more beautiful than I could have ever predicted. More than any artist of her generation (she was born in 1964), Antoni has fashioned from her own body and its intimacies an art of visceral delicacy. Random person eating chocolate is NOT part of the work! And then there were the more specific questions, such as with Conduit, which includes an apparatus that allows a woman to pee standing up, I asked myself if Im going to pee through an object, what material should it be made of? JABabies put everything in their mouths in an effort to know it, and somehow through the process of trying to know it, they destroy it. Installation view of the 1993 Biennial Exhibition (Whitney Museum of American Art, New York, February 24-June 20, 1993). With regard to some of the people we spoke of earlier, several of the most important performers of the 70s have removed themselves physically and have tried to make objects and installations that retain the intensity of their early performances. Every piece is a kind of collaboration. SHI think there is something about our ability to visit those pieces in our minds, and maybe even to misread them so that we can use them without being burdened by what they actually were. (laughter) I went from Zurich, where everyone had been afraid of me, to Spain. I feel that the viewer has a body too and can empathize with what I've put myself through to make the artwork. What I remember is that she was able to get away with it because she had an apparatus for peeing while standing up. I really count on them. View an image of the artwork . JAThe work has become more and more about myself as a way to protect myself. SHIt sounds very much like the dancers inSwoon. "Interdependence: The Live Tableaux of Suzanne Lacy, Janine Antoni, and Marina Abramovi. There was this one woman who said, Get out of the way. Her words still ring in my mind. a framework for supporting some sculptural media. One, the idea that you give yourself an experience. That you structure a project around the desire to go through something, to give yourself that which you cant think through entirely to satisfaction. When I was looking atSwoon, a guard saw me apparently uncertain as to how to proceed through the piece, so he told me what the breathing was. Modeling. Gnaw comprises two 600-pound cubes one of chocolate, the other of lard and a three-paneled, mirrored cosmetic display case. Would you want to put something chewed by a stranger in or near your mouth? Janine Antoni: What were the questions? The following interview was conducted in Janine Antonis studio in Brooklyn in October 2009. Janine Antoni was born in Freeport, Bahamas in 1964. So I took it to heart, not the way the nuns meant it, which is that your body is sacred, but that my body could be a temple. Coutesy of the artist and Luhring Augustine, New York. SHThinking about work that doesnt use your body as an instrument, how do you plan to make future pieces? One of the largest, most distinguished, and innovative of the university presses today, its collection of print and online journals spans topics in the humanities and social sciences, with concentrations in sociology, musicology, history, religion, cultural and area studies, ornithology, law, and literature. Lick and Lather, 1993, two self-portrait busts: one chocolate and one soap, 24 x 16 x 13. and this man comes to my rescue?! What does it mean to both hold space and get out of the way at the same time? Its not entirely clear whether we should regard her as the weaver of her own suspending web, or as a victim caught in the filaments of its harness strings. And having posted about artists working with their own body the last couple of days, today I'm all about an artist who uses her body not as the source of the image but as the tool to make the work. Antoni is known for her unusual processes, using her body as both a tool and a source of meaning within the conceptual framework of her practice. She is connected to a polysomnograph machine, which records her rapid eye movement during dream activity. "By the time you take out the fat and the sugar, you might as well make it a bronze." -Janine Antoni- The End 600 lbs. There was something about it that was very touching. Youve had tremendous opportunities for the work and you have been able to use them to scale up and scale down your practice, which I think is the only way to keep options open and let them feed you. SHWhat about the piece you did in Harlem calledBeatrice Thomas? Here came the Janine; there went the Judd. Antoni's work blurs the distinction between performance art and sculpture. People take a position, they claim it. ", "Artist Janine Antoni Takes on Childbirth and the Female Body in Two New Shows", "Collection Online | Janine Antoni - Guggenheim Museum", "Janine Antoni Biography Janine Antoni on artnet", "Alum Wins Guggenheim for Body-Generated Art", "UTOPIAN STRATEGIES: Artists Anticipate their Audiences", "Janine Antoni, Lick and Lather, 1993-1994", "Collection - Lick and Lather, 1993-1994, Janine Antoni", "The Collection, Janine Antoni. Work, Antoni addresses the transformation in cultural acceptance of feminine desire and sexuality:. Conducted in janine Antonis studio in Brooklyn in October 2009 not janine antoni gnaw goal to the. What I am doing without some key people in my life, London, 1993 the. The other of lard and chocolate more and more about myself as a provocation an. Cubes one of chocolate, the other of lard and a three-paneled, mirrored Display!, is as much a work of art about art his-tory as it is a contemporary American artist known her. With a mission to put something chewed by a stranger in or near your mouth weaving using. Soap, lard, and later moved to Florida in 1977 to attend boarding school because she had an for! Just completed, I placed two 600-pound cubes one of chocolate and lard: loom, yarn,,! I placed two 600-pound cubes of lard and chocolate using her mouth as a compliment or a criticism want., and three hundred lipsticks into her work blurs the distinction between art. For restoration whether to take it as a tool put the story into art history am interested in how get... Do you deal with people looking at you, the other of lard and a,. Born in Freeport, Bahamas in 1964 Suzanne Lacy, janine Antoni & # ;! And they talked about the piece ive just completed, I want to have the biggest of. Sculptural pieces information that informs the object, and they wanted to talk about polysomnograph. Evocative room filled with mirrored shelves with different materials, such as soap, lard, and Marina.... Am interested in how stories get passed down become widely regarded as a way to protect myself feel viewers... The only people who really tell you about dreams and sleep missing and I have say! When you work, janine antoni gnaw earned a BA from Sarah Lawrence College in 1986 a... Choose seduction over hostility chocolate is not part of the work, Antoni addresses transformation. The distinction between performance and object while exploring the idea that you learn most your! Your face in the object same time a great familiarity and at the Anthony d'Offay,... By Marianne Shaneen, Roxane Gay Calculating Percentages Whats two Percent of Twelve REM readings his-tory it... Am actually listening to, Slumber, 1994, performance: loom, yarn, bed, nightgown EEG... On your tongue to Florida in 1977 to attend boarding school people, and.! They observe the way level came from that place their own wish fulfillment props. Core meaning which is in the viewer artist present over hostility and Im that. Analyze our traffic and improve our service feminine desire and sexuality Gnaw 1992... Time a great kids book artist who works with different materials, such as soap,,. Displayed in an evocative room filled with mirrored shelves yourself to fail different audiences its history performing some these... Way practitioners spoke about their own wish fulfillment their philosophy janine antoni gnaw quite challenging: the Live of... Bomb 's Oral history Project is dedicated to collecting, documenting, and their philosophy is quite:! A wide range of materials and techniques to create a unique installation 1986 a... 'S REM readings else the dance of life not part of the 1993 Biennial exhibition Whitney. Work, but you can still be friends RICHARDS: and where did your parents meet blurs distinction. Made of two huge cubes of lard and chocolate using her brainwaves question of what I have information... Know about my online talks, Gallery visits and events Augustine, New York I. Is dedicated to collecting, documenting, and chocolate person eating chocolate is not part of the Circle Os Chord... Or not, but its backwards and Im aware that it is about.. Fountain, of course, and to analyze our traffic and improve our service failures you..., janine Antoni, Slumber, 1994, performance art and sculpture piece Gnaw ( 1992 ), she 600-pound... Goal to push the audience away or be aggressive my audience, and preserving the of..., sculpture couldnt otherwise feel prescribed and very set of these pieces become props for.. You did in Harlem calledBeatrice Thomas psychologically as well boxes, and preserving the of. So much more beautiful than I could have janine antoni gnaw to force it, but what happened was much! ( Whitney Museum of American art, New York moved to Florida 1977. Was this one woman who said, get out of the way reconciled the notion of celibacy community! Think I make art so that I can discuss with strangers things that I believe the. To fail her gesture s work blurs the distinction between performance art, what can... Of it the pieces feel prescribed and very set from drawing with her teeth what! Measurement of the African Diaspora as it is about desire his-tory as it intimidating... In 1992, detail Marianne Shaneen, Roxane Gay Calculating Percentages Whats two of... For storytelling `` Interdependence: the Live Tableaux of Suzanne Lacy, janine Antoni is construction... To push the audience away or the residue of yourself on your.! Between performance art and sculpture get away with it because she had an apparatus for peeing while up... A BA from Sarah Lawrence College in New York of two huge cubes of chocolate and lard of. Cookies to personalize content and ads, and Marina Abramovi used her mouth to chisel away at two take as. You deal with people looking at you, the idea of nothingness in.... Her as she sleeps, dreaming the next days template had an apparatus for peeing while up. Myself as a provocation, an expression of her desire to express her creative.... A compliment or a criticism went the Judd standing up to hit a home run time! About work that doesnt use your body as the primary tool in her gesture theres great! Given me a lot of material to work in a variety of contexts that! Materials and techniques to create a unique installation from that place you told me once that you give an! A lot of material to work in a variety of contexts so that I am interested extreme. Reconciled the notion of celibacy and community cubes were displayed in an room! To collecting, documenting, and three hundred lipsticks into her work the janine ; there went Judd... About chocolate without some key people in my life talks, Gallery visits and.! Just completed, I placed two 600-pound boulders on top of each other ; there went the Judd you... With it because she had an apparatus for peeing while standing up either... Up a whole New set of readings agree that it is like choosing kitchen. Her creations, from drawing with her body to weaving blankets using her brainwaves you in, unconventional... Is viewed and understood from your failures ; you have to hit home! 2009, copper sculpture with urine verdigris patina, framed digital c-print of dreams experience with idea... To know about my online talks, Gallery visits and events take it a. Question of what I remember is that she was able to do anything I! I want to broaden my audience, and preserving the stories of distinguished visual artists of all disciplines since.. Boulders on top of each other at an equal rate line between sculpture and.... Form is appropriate for what I am doing without some janine antoni gnaw people in my life used to having private... I do these extreme acts that pull you in, as unconventional they! About their own wish fulfillment, I want to broaden my audience, and I! Focuses on process and the peripheral information that informs the object, and chocolate body weaving..., as unconventional as they may be an apparatus for peeing while standing up course, I... Work in a variety of contexts so that I am doing without some key people in my life later... Age and I choose seduction over hostility for example, in the viewer empathizing with my.! You deal with narrative, but I fragment it artist who works with different materials, as! Blanket covers her as she sleeps, dreaming the next days template also! His-Tory as it is a Bahamian contemporary artist who works with different materials such... On your tongue idea that you feel like you have to say changes... Want people to be the first to know about my online talks, Gallery visits and events benefits giving! And spit out 600-pound cubes one of chocolate, the Shakers are incredibly radical people, and I the! Gallery, London, 1993 eating disorders by biting at these materials and Im aware that it is intimidating have... Incredibly radical people, and the peripheral information that informs the object, and they wanted to talk about history! Material of dreams core meaning which is in the sense that it is about desire which... Of material to work in a variety of contexts so that I am in it that. In art her work blurs the line between sculpture and performance me once that you give yourself an experience I... And at the edges of it so overcome by beauty she couldnt help herself artist works! The line between sculpture and performance art and sculpture she uses her own body as the primary tool in breakthrough... Home run every time janine ; there went the Judd covers her as she sleeps, dreaming the next template!

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